Director: Paul Greengrass
Starring: Tom Hanks, Barkhad Abdi, Catherine Keener
Written by: Billy Ray (screenplay), Richard Phillips (based upon the book "A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea")
Rated PG-13 for sustained intense sequences of menace, some violence with bloody images, and for substance use
Originally published in the East Tennessean.
“Captain Phillips” is a gripping
true story that rises above other thrillers due to the humanity and moral
complexity of its characters.
The movie is based on the 2009
hijacking of the merchant vessel Maersk Alabama by four Somali pirates. The
ship’s captain, Richard Phillips, was taken hostage which prompted the United
States Navy to initiate a rescue operation.
The part of Phillips is played to
magnificent effect by the one and only Tom Hanks, who reminds us again why he
is one of Hollywood’s greatest treasures.
The
role is quite demanding, both physically and emotionally, and Hanks matches the
varying character pitches perfectly. He effectively exudes confidence while
also keeping a twinkle of terror and vulnerability in his eye. His powerful
performance in the film’s final moments brought me to tears and I’m
not ashamed to admit it.
Breakout star Barkhad Abdi is magnetic. |
Though
Hanks is the protagonist, I’d argue that the real star of the film is newcomer
Barkhad Abdi, who plays Muse, the leader of the Somali pirates. His menacing demeanor
disguises a wounded soul who’s only there as a victim of circumstances beyond
his control. Muse is not a man motivated by greed, he’s motivated by survival.
He’s
much like Phillips in this way. They’re both just trying to do the job they
have to do to get by. Their shared humanity gives them an uneasy, unspoken
alliance. Each may be standing in the other’s way but there’s a mutual sense of
respect and understanding.
Both
know that this is a collision course that simply could not have been averted.
The
film dares to make us feel compassion for the antagonists where other films
typically do not. They’re more than just cardboard cutouts to take pot shots
at, we become attached to them. These are real people with real lives. When the
Navy finally comes in and begs for a peaceful resolution, you pray they can
find one, even if in your gut you know it doesn’t exist.
In
a routine Hollywood production, the end of this film would be a triumph; a
celebration of the efficiency of the American military and American resolve. In
“Captain Phillips” it’s a tragedy; the unintended consequences of the global
economy. There are no heroes or villains here, only victims.
Coming
from Paul Greengrass, who directed “United 93” and the last two-thirds of the
Bourne trilogy, it’s no surprise that the film features an almost overwhelming
attention to detail. In the beginning, the dedication to procedure and
authenticity is a little off-putting; giving the film a sluggish pace, but his
documentary-like approach is ultimately what grabs us and throws us into a seat
on the ship with the captured crew.
This
subtle way of building anticipation ensures that everyone who sees the film
will be digging their
nails into the nearest armrest, leg, wrist or helpless
pet they can find.The climax is almost unbearably intense. Be ready for it. |
Film
is a monumentally powerful medium, and it’s always encouraging to see people
like Greengrass – along with screenwriter Billy Ray -- leverage their art for
understanding. “Captain Phillips” is the kind of movie that helps us to fathom
the human condition, and see the world in a way that’s just not as visible
without the aid of film. If we as humans have to share a planet with one
another, we should at least strive for perspective so that we can coexist as
peacefully as possible.
I’m
not sure if “Captain Phillips” will do anything to advance the human race in
such a profound way, but it’s commendable that it even tries. It does, however,
have the potential to at least start a few conversations and that’s a step in
the right direction.
“Captain
Phillips” is a terrific film because it uses its entertainment value as a
thriller to force the viewer to ask questions about the characters and
themselves, and to reexamine how one feels about difficult topics like terrorism,
globalization and – the greatest mystery of all – our fellow man. It will hold
you captive.
4.5
out of 5
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